URBAN TUMBLEWEED
Urban Tumbleweed: A Site-Situated Performance Reflecting on Plastics, Time, and Material Agency. The work gestures toward the intersections of performance, material culture, and environmental discourse, offering both a critical and aesthetic reflection on the ongoing legacy of plastics in our world.
Tumbleweed looking for community on Bank St, Whangārei, Aotearoa. 2023.
Cuba St, Wellington, Aotearoa New Zealand. 2024
The work gestures toward the intersections of performance, material culture, and environmental discourse, offering a critical and aesthetic reflection on the ongoing legacy of plastics in our world. The Urban Tumbleweed project explores the entanglement of ancient energy, ecological crisis, and human performance. Drawing upon plastic as the embodiment of aeons-old energy, once extracted from its natural resting place and now transformed into everyday objects, the work contemplates this primordial force’s regeneration and continued movement. Specifically, it examines how soft plastic waste—products of the Anthropocene—becomes active agents within contemporary environments, symbolically seeking community as they traverse urban landscapes.
The project metaphorically reimagines the Great Pacific Garbage Patch as a new "Land of the Dinosaur," where these synthetic materials, originating from the Earth's prehistoric past, accumulate and take on new forms. In this sense, Urban Tumbleweed serves as a durational, site-responsive performance in which the very materials of plastic recycling embody movement, temporality, and place. Soft plastics collected from households and workplaces are taped together to create a fabric that forms the hand-me-down from our late capitalist society to create a costume worn by the performer. The performer inhabits this costume, embodying both the slowness and agency of the materials, which are influenced by the dynamics of the site, nature's currents, and the guiding presence of the audience. This embodiment invites the audience to witness the animated nature of these synthetic particles as they re-enter the environment through movement.
The performance unfolds in diverse urban spaces—doorways, stairwells, streets, and gardens—improvised according to a movement score that embraces low, slow, undulating gestures. These gestures create a visual and aural experience as the plastics glimmer in the light and rustle against the surfaces they encounter. The presence of a guide who gently directs the performer ensures the safety of both the performer and the environment while also maintaining an intimate connection between the performer and the audience.
Urban Tumbleweed functions as a durational performance, ideally running throughout the day with intervals for performer rotation or presented in shorter 30–60 minute blocks. The piece is intentionally slow and meditative, creating a mesmerising rhythm that contrasts with the speed and transience of urban life. The hand-me-down costume and deliberate pace evoke reflections on time, transformation, and the lingering effects of human actions on the natural world.
Development of Urban Tumbleweed has included performances at First Thursdays on Karangahape Road, Tāmaki Makaurau (2022); The Unshackled Image/Te Whakaahua Whakawātea in Whangārei (2023); Garbage Fest AKL (2023); ANZAC Parade at The Auckland Domain (2024), and The Earth is My Bed, My Stage, and My Altar at Enjoy Contemporary Artspace in Te Whanganui-a-Tara (2024). Upcoming performances are scheduled for Performance Arcade and Cuba Dupa, Te Whanganui-a-Tara 2025. These iterations allow Urban Tumbleweed to evolve continuously, emphasising its adaptability and the shifting relationships between site, materiality, and ecological consciousness.